Te Kaihau: The Windeater

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A viral Ebook Te Kaihau The Windeater published Stories deal with dreams a woman who accidently in

A viral Ebook Te Kaihau: The Windeater published Stories deal with dreams, a woman who accidently injures her son, sheep herders, whales, violence, and family life.. A viral Ebook Te Kaihau: The Windeater 4.5/5I've run into my fair share of those who profess an interest, bordering on a devotion to in some, experimental writing. It's hard to take any of them seriously when I'm the only one of my Goodreads circle to have added, read, and reviewed, in that order, this work. In the interest of thoroughness, the reviewers that usually head the lists of the standard definition of experimental (a paradox if there ever was one, but that hasn't stopped the worshipers of the demographically conforming), so unless some are buried in the bowels of a rather small number of overtly interested readers, the only conclusion to be made is that, somehow, this book by a Man Booker winner has passed everyone by. Same shit, different day, but Rome wasn't built in a single iteration of such.Good luck trying to pin down what any of these are about, exactly. Here, you have poetry, a screen play, practically ubiquitous stream of consciousness, fantasy, sci fi (you could displace those last two into magical realism, but I prefer to think about them as a decentering of the Euro consciousness), bildungsroman, horror, mystery, horror mystery in the line of Hitchcock, all of it whirled together in some of the most carbuncularly dense yet deftly incisive prose I've read in a long time. The stories are more ghastly than anything else, what with their reoccuring themes of violence, disability, abject poverty, disintegration of the psyche once cut off from the natural world, the disintegration of the body when subjected to the natural world, animals being led to the slaughter, domestic abuse, suppression of the people's right to protest, settler state abuse, and any manner of way in which human beings are isolated via amputation. There's very little closure, even less social connection, and any motivation for plot usually births entirely from the single (?) first person narrator's slow devolution into rambling obsession and/or speedy succumbing to an overwhelming wave of something outside themselves: rarely human, never nice.Those who've read The Bone People may be pleased to know that these pages contain a portion of the past of the character of the mysterious child. Others who have not yet but plan on reading the Booker win may think they should consequently avoid this in case of spoilers, but Hulme is not a writer I'll consider to concentrate most, if any of her authorial worth in the form of a few somewhat convoluted plot points. Yet a third group who has had no contact whatsoever with the much more decorated novel will be free to decide without bibliographical bias whether this admittedly monstrous yet equally powerful collection is worth chasing down. As I said before, abandon hope of narrowing anything down. A better grasp than mine on New Zealand and Māori in yet another iteration of the colonialist tradition would most assuredly help, especially with regards to the indigenous vocabulary that mixes into view as much as it did in TBP. Still, that doesn't solve the ever present confusion of what time, place, gender, age, and even species the first person narrator is operating from. You may make your assumptions, but beware: any determination necessarily limits your experience of the experimental, and we wouldn't want that, now would we.For those obsessed with finding books to fulfill eclectic requirements for various reading challenges, Keri Hulme is Māori, asexual, and aromantic. I could pretend use one or all of these characteristics in tandem as paradigms for analysis, but eh. I'm more concerned with those out there who have a hard time seeing themselves in writing and even more so in literature. This is timely because Hulme, much like Roy, has been promising second/third (twinned works, apparently) novels for some time now. The fact that the latter has recently committed for a publication next year gives hope for the sooner rather than later output of this other unorthodox Man Booker winner.

About Author

  • Keri Hulme Post author

    Keri Hulme born 9 March 1947 is a New Zealand writer Her only novel, The Bone People, won the Booker Prize in 1985.Hulme was born in Christchurch, in New Zealand s South Island The daughter of a carpenter and a credit manager, she was the eldest of six children Her parents were of English, Scottish, and M ori Kai Tahu descent Our family comes from diverse people Kai Tahu, K ti Mamoe South Island Maori iwi Orkney islanders Lancashire folk Faroese and or Norwegian migrants, Hulme told Contemporary Women Poets Her early education was at North New Brighton Primary School and Aranui High School Her father died when she was 11 years old.Hulme worked as a tobacco picker in Motueka after leaving school She began studying for an honours law degree at the University of Canterbury in 1967, but left after four terms and returned to tobacco picking.By 1972, she decided to begin writing full time, but, despite family support, was forced to go back to work nine months later She continued writing, some of her work appearing under the pseudonym Kai Tainui During this time, she continued working on her novel, The Bone People, ultimately published in February 1984 The novel was returned by several publishers before being accepted by the Spiral Collective It won the 1984 New Zealand Book Award for Fiction and the Booker Prize in 1985 Hulme was the first New Zealander to win the Booker.Hulme was a writer in residence at the University of Otago in 1978, and at the University of Canterbury in 1985 She lives in Oamaru, in North Otago Hulme has been the Patron of New Zealand Republic since 1996 She is an aromantic asexual and an atheist from

One thought on “Te Kaihau: The Windeater

  • 4.5 5I ve run into my fair share of those who profess an interest, bordering on a devotion to in some, experimental writing It s hard to take any of them seriously when I m the only one of my circle to have added, read, and reviewed, in that order, this work In the interest of thoroughness, the reviewers that usually head the lists of the standard definition of experimental a paradox if there ever was one, but that hasn t stopped the worshipers of the demographically conforming , so unless some [...]

  • This is a collection of experimental short stories from the New Zealand author of The Bone People The stories are full of Hulme s sense of the beauty of New Zealand, along with her awareness of human alienation from the environment From the environmental point of view, the story that most stood out for me was One Whale Singing a pregnant woman in a boat, a pregnant whale in the water The woman argues with her pompous partner about whether humans are really superior to other creatures She feels t [...]

  • She s an excellent writer but I felt I needed to understand the types of people and the situations she was writing about, and I didn t in many cases So in a lot of these stories I felt at a loss.

  • I m a well trained reader, but these stories were a struggle for me, which I mostly did not win I wanted to love them, because I had so loved The Bone People Instead I found myself too often perplexed by whose voice I was hearing, sort of like eavesdropping on a windy beach where the words were snatched away by the wind Another thing which perplexed me was the focus on amputation in many of the stories, which I will not enumerate the titles thereof because it would mean rereading them, or even t [...]

  • A short collection of stories that often read like poetry than prose Which could be good or bad, depending on your taste For me, while I enjoyed the rhythmic fluidity of Hulme s language I love the way she meshes words together, like blueblack and seanoise in the context of her novels, I felt that in these stories, it left most of the narrative struggling to stay coherent I could see glimpses of the themes of family and Maori tradition that appeared before in The Bone People, but without the sp [...]

  • I love short stories and I love story telling in general This is to me the best of the best Every story creates a magical new universe that you never want to leave, yet at the same time you kinda wish you never set foot in it The stories stay with you too I sometimes ask a friend or a family member Hey, do you remember that time when we met that girl with the tattoo that.rmind or This reminds me of the night when the fishoh wait It feels like these stories have happened to me Highly recommended, [...]

  • Although I read an English edition, the book has also been translated into Dutch De windeter Te Kaihau For a review in Dutch, see message 67 of the Netherlands Flanders group Spring Challenge 2014.

  • I really enjoy Keri Hulme s style of writing, although I do think it works better in novel form Her style of mysterious, visceral, spiritual prose requires I bit time to really understand what is going on In my opinion, at least But still, some wonderful stories in here.

  • after reading the bone people, with its themes of drunkeness and violence, i was disappointed to find the same themes in all of these short stories i really like the writing style, but too much sadness.

  • Terribly disappointing after The Bone People In fact, these stories accomplished the worst possible thing they made me doubt that The Bone People was as good as I remembered it being.

  • Her novel The Bone People was one of the best things I ve ever read This book of short stories is not It is obviously intended to show me the magic of life and the interconnectedness of all things, but it falls down on over preciousness It reads like the scribblings of a pretentious high school girl Skip it and read her masterpiece instead.

  • Review from chronicbibliophilia.wordpress A s for us passing on our knowledge, hah We rarely learn from the past or the present, and what we pass on for future humanity is a mere jumble of momentarily true facts, and odd snippets of surprised self discoveries That s not knowledge In the late 1970s and 80s, Keri Hulme fought her way onto the literary stage, working as a writer in residence and publishing short stories in relative anonymity In 1985 her first and only novel, The Bone People , stunn [...]

  • Te Kaihau is a group of short stories, prose, and poems by author Keri Hulme, who is probably best known for The Bone People First and foremost, this is nothing like The Bone People and it would be unwise to pick this group of stories up and expect the same thing The writing here is mostly experimental Often times there are under developed thoughts, sentence fragments, moments where things are unclear, and it is often impossible to fully engage with or connect to the characters Although it is a [...]

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